Pakistan Bans Movie Showing Hindu-Muslim Love Affair. Why should we show our love with Pakistan and Muslims?
Upananda Brahmachari | Hindu Existence News Bureau | 3 July 2013:: Sonam Kapoor, Dhanush’s Raanjhanaa has been banned in Pakistan. The Pakistan Film Censor Board has banned the exhibition of actor Dhanush and actress Sonam Kapoor starrer Raanjhanaa because of its alleged “controversial theme of love affairs between a Muslim girl and Hindu Boy”.
Chief Executive Officer of IMGC Global Entertainment Amjad Rasheed, the importer of Raanjhanaa in Pakistan told that he received a letter from CBFC (The Central Board of Film Censors in Pakistan) with directives to shelve the film’s release. “The letter from CBFC states that the film portrays an inapt image of a Muslim girl [played by Sonam Kapoor] falling in love with a Hindu man and having an affair with him”, as the statement reached to the press.
Earlier the Censor Board had also banned films like ‘Ek Tha Tiger’, ‘GI Joe’, ‘Agent Vinod’ for their controversial themes and “anti-Pakistan” sentiments.
Rasheed said that he received a letter from CBFC with directives to shelve the film’s release.
“The letter from CBFC states that the film portrays an inapt image of a Muslim girl (played by Sonam Kapoor) falling in love with a Hindu man and having an affair with him.”
The Bollywood film’s plot portrays Muslim girl Zoya (Sonam) falling in love with Kundan (Dhanush) and later Jasjeet Singh (Abhey Deol). The film starts with Hindu Brahmin pundit’s son Kundan falling for Zoya at first sight. He follows her to school, after school, in the market — almost everywhere. After getting slapped 16 times by Zoya, Kundan finally gets to know her name, but his hesitation that she will reject him because of his religion leads him to introduce himself as Rizwan. She agrees to meet him behind a temple, but the meeting does not turn out well as Zoya finds out that he’s Hindu.
As the story unfolds, Zoya also develops feelings for Kundan, however, her parents find out about it and send her off to Delhi in order to protect the family’s honour. Later in Delhi, Zoya falls in love with Jasjeet Singh, a student leader who also leads a political party.
Pakistani singer Shiraz Uppal has also lent his voice for the title track of the film, composed by music maestro AR Rahman.
While the persecution upon Hindus and specially upon Hindu Girls are very much high, then such ban upon a film describing the heart of Muslim girl longing for Hindu boy is showing the fundamental attitudes of the Pakistan Govt and its agencies attached in the cultural and public relation affairs. Even, a Filmy love between Hindu Boy and Muslim Girl is not allowed in Pakistan. On the other hand, the Pak administration and agencies are not at all sincere to stop abduction, conversion, forceful marriage, rape and other crimes against Hindu and other minority girls and women in Pakistan.
In India, the Bollywood film industry is now overwhelmed with the series of projected star Muslim Khan progenies only to take care and ??? the Hindu actresses like in silver screen and in real life also. Every body knows the present story of SRK-Gouri, SAK-Kareena, Amir K-Kiran, Imran K-Avatika, Irrfan K-Sutapa, Fradeen K-Natasha, Zayed K- Malaika Parekh, Sohail K- Seema, Arbaz K-Malaika Arora and so on.
The Love Jihadists in Bollywood are very much active for their agenda to grab the industries and the star families with a staunch activation of film making (with the help of ‘D’ Company) by making script of love story between Muslim boy and Hindu girls in film and finally entering a wedlock with a pretty Hindu girl of film, sports or other industrialist world.
But these love jihadists in Indian film industries never contemplate to tie up a relation with any Hindu boys for their sisters or daughters. Nor the victim Hindu girls and women think to arrange marriage for their brothers with Muslim girls.
The sense of liberal attitude in India starts from lending Hindu interest to the Muslim conspirators even in the entertainment world. The reverse is rarely present and we are succumbing a permissiveness at the cost of easy prey to absurd Hindu-Muslim unity through film making and getting blasted by the same jihadists in Mumbai time and again.
We have forgotten a Dilip Kumar who suppressed his Muslim name (Yusuf Khan) to rise in his film career once and all the Muslim actress like Nargis, Waheeda Rehman, Madhubala (Mumtaz Jahan Dehlavi), Mumtaz, Saira Banu, Zeenat Aman, Parveen Babi to fall in the personality and wild attraction of Ashok Kumar, Raj Kapoor, , Pradeep Kumar, Shammi Kapoor, Sunil Dutt, Dev Anand, Manoj Kumar, Dharmendra or Amitabh Bacchan in the row.
The difference between the past and present is not made suddenly. The Pan Islamic terminators entered into Bollywood industries to ran over the Hindu sentiments, if any and to take supreme control of it by spreading a single message of ”Muslims are Mightier than Hindus and Hindu Girls and Women are the subject to the Muslims”, not the reverse. Subtle fundamentalists like Javed Akhtar, Sabana Azmi, Ameer Khan etc. are playing a very dangerous role to promote Islam and Islamic influence in very sphere in life including the film industries. These agents of Allah have the time to collect donations to raise funds for the flood victim of Pakistan. But, have you heard any thing that these maroons are doing something for the 50,000 victims of Kedarnath and Uttarkhand disaster in any manner? Why they should do anything for the Hindu infidels?
In this juncture of banning of the movie Raanjhanaa in Pakistan, we can do at least two things.
1. Hindus must ban all films starring by a Muslim Hero, story in film depicting love story between Muslim boy and Hindu Girl, rejecting products tagging advertisement by Muslim stars here and make awareness about the danger of Love Jihad before Hindu girls and women with top priority. and
2. Stop all relations and business with Pakistan.
Chief Executive Officer of IMGC Global Entertainment Amjad Rasheed, the importer of Raanjhanaa in Pakistan told that he received a letter from CBFC (The Central Board of Film Censors in Pakistan) with directives to shelve the film’s release. “The letter from CBFC states that the film portrays an inapt image of a Muslim girl [played by Sonam Kapoor] falling in love with a Hindu man and having an affair with him”, as the statement reached to the press.
Earlier the Censor Board had also banned films like ‘Ek Tha Tiger’, ‘GI Joe’, ‘Agent Vinod’ for their controversial themes and “anti-Pakistan” sentiments.
Rasheed said that he received a letter from CBFC with directives to shelve the film’s release.
“The letter from CBFC states that the film portrays an inapt image of a Muslim girl (played by Sonam Kapoor) falling in love with a Hindu man and having an affair with him.”
The Bollywood film’s plot portrays Muslim girl Zoya (Sonam) falling in love with Kundan (Dhanush) and later Jasjeet Singh (Abhey Deol). The film starts with Hindu Brahmin pundit’s son Kundan falling for Zoya at first sight. He follows her to school, after school, in the market — almost everywhere. After getting slapped 16 times by Zoya, Kundan finally gets to know her name, but his hesitation that she will reject him because of his religion leads him to introduce himself as Rizwan. She agrees to meet him behind a temple, but the meeting does not turn out well as Zoya finds out that he’s Hindu.
As the story unfolds, Zoya also develops feelings for Kundan, however, her parents find out about it and send her off to Delhi in order to protect the family’s honour. Later in Delhi, Zoya falls in love with Jasjeet Singh, a student leader who also leads a political party.
Pakistani singer Shiraz Uppal has also lent his voice for the title track of the film, composed by music maestro AR Rahman.
While the persecution upon Hindus and specially upon Hindu Girls are very much high, then such ban upon a film describing the heart of Muslim girl longing for Hindu boy is showing the fundamental attitudes of the Pakistan Govt and its agencies attached in the cultural and public relation affairs. Even, a Filmy love between Hindu Boy and Muslim Girl is not allowed in Pakistan. On the other hand, the Pak administration and agencies are not at all sincere to stop abduction, conversion, forceful marriage, rape and other crimes against Hindu and other minority girls and women in Pakistan.
In India, the Bollywood film industry is now overwhelmed with the series of projected star Muslim Khan progenies only to take care and ??? the Hindu actresses like in silver screen and in real life also. Every body knows the present story of SRK-Gouri, SAK-Kareena, Amir K-Kiran, Imran K-Avatika, Irrfan K-Sutapa, Fradeen K-Natasha, Zayed K- Malaika Parekh, Sohail K- Seema, Arbaz K-Malaika Arora and so on.
The Love Jihadists in Bollywood are very much active for their agenda to grab the industries and the star families with a staunch activation of film making (with the help of ‘D’ Company) by making script of love story between Muslim boy and Hindu girls in film and finally entering a wedlock with a pretty Hindu girl of film, sports or other industrialist world.
But these love jihadists in Indian film industries never contemplate to tie up a relation with any Hindu boys for their sisters or daughters. Nor the victim Hindu girls and women think to arrange marriage for their brothers with Muslim girls.
The sense of liberal attitude in India starts from lending Hindu interest to the Muslim conspirators even in the entertainment world. The reverse is rarely present and we are succumbing a permissiveness at the cost of easy prey to absurd Hindu-Muslim unity through film making and getting blasted by the same jihadists in Mumbai time and again.
We have forgotten a Dilip Kumar who suppressed his Muslim name (Yusuf Khan) to rise in his film career once and all the Muslim actress like Nargis, Waheeda Rehman, Madhubala (Mumtaz Jahan Dehlavi), Mumtaz, Saira Banu, Zeenat Aman, Parveen Babi to fall in the personality and wild attraction of Ashok Kumar, Raj Kapoor, , Pradeep Kumar, Shammi Kapoor, Sunil Dutt, Dev Anand, Manoj Kumar, Dharmendra or Amitabh Bacchan in the row.
The difference between the past and present is not made suddenly. The Pan Islamic terminators entered into Bollywood industries to ran over the Hindu sentiments, if any and to take supreme control of it by spreading a single message of ”Muslims are Mightier than Hindus and Hindu Girls and Women are the subject to the Muslims”, not the reverse. Subtle fundamentalists like Javed Akhtar, Sabana Azmi, Ameer Khan etc. are playing a very dangerous role to promote Islam and Islamic influence in very sphere in life including the film industries. These agents of Allah have the time to collect donations to raise funds for the flood victim of Pakistan. But, have you heard any thing that these maroons are doing something for the 50,000 victims of Kedarnath and Uttarkhand disaster in any manner? Why they should do anything for the Hindu infidels?
In this juncture of banning of the movie Raanjhanaa in Pakistan, we can do at least two things.
1. Hindus must ban all films starring by a Muslim Hero, story in film depicting love story between Muslim boy and Hindu Girl, rejecting products tagging advertisement by Muslim stars here and make awareness about the danger of Love Jihad before Hindu girls and women with top priority. and
2. Stop all relations and business with Pakistan.
1 comment:
yes like mr.moh rape the 6 years old child
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